Showing posts with label toronto hip hop. Show all posts
Showing posts with label toronto hip hop. Show all posts

Wednesday, January 14, 2015

BeLonging

FOR IMMEDIATE RELEASE
January 13, 2015


 “We all need to belong, is that the wrong assumption?
Will we always be longing for something?”
–MC FÜBB

Toronto Hip Hop Artist MC FÜBB Releases New Project after Two-Year Hiatus

(Toronto, ON) – After a two-year hiatus since his last official release (the critically acclaimed EP, the poet), Toronto hip hop artist MC FÜBB has teamed up with producer/emcee Noyz to release their new collaborative EP: BeLonging. Thematically centered around the fundamental human need to belong, MC FÜBB weaves together notions of authenticity, creativity, peace, and finding one’s place in the world as he raps over a rich instrumental tapestry created by beat-smith Noyz. Featuring soulful vocals by Mike Devine on “Belong” and the buzz single “Grace,” the end result is a cohesive, five-track musical project that aims to strike emotional chords with listeners through thought-provoking lyrics, inspiring melodies, and songs with high replay value.

Here’s what Noyz has to say about the theme of new EP:

“The title ‘BeLonging’ and the artwork is a reflection of struggles that we all face. We don’t want to feel left out; we want a place that feels like home, where we know we belong. However, within this longing, we often miss out on the truth that we already do belong. We are all created from the same materials and the same source, and as beings in this universe, the feeling of belonging is something that should be natural and innate within all of us. Finding and strengthening that connection is a lifelong journey.”

BeLonging isn’t the first time that FÜBB and Noyz have worked together: in 2011, the two artists released In the Face of No Agreement (aka ITFONA), a full length album exploring the theme of using hip hop as an empowering vehicle for overcoming one’s internal obstacles. Noyz also produced “Poetically Correct” on MC FÜBB’s EP the poet, and FÜBB featured on the song “Keep Moving On” on Noyz’s album Degrees of Freedom.

A release party for the new EP will be held on Thursday, February 5 at Studio Bar (824 Dundas Street West, Toronto), featuring performances by MC FÜBB, Noyz, reggae/funk band The Responsables, music by DJ Xplisit, and special guest appearances.

Free streaming/download links to BeLonging:

(includes instrumentals, acapellas, and clean versions of tracks – DJs: Feel free to remix away!)



For all media enquiries, please contact Daniel Farb at mcfubb@gmail.com or call 647-201-9161.

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Release Party + Show:




Where: Studio Bar – 824 Dundas Street West, Toronto
When: February 5, 2015 – Doors at 8pm; show starts at 9pm

Come and celebrate the release of MC FÜBB and Noyz's new EP, "BeLonging" (and a belated release celebration of MC FÜBB's previous EP, "the poet")!

Featuring performances by:

MC FÜBB
(Hip hop emcee)

Noyz
(Hip hop emcee and producer)

The Responsables
(Live reggae/funk band)

Music supplied by DJ Xplisit
(Toronto's craziest beatboxing DJ!)

Tickets are $5 (+$1.29 Eventbrite fee) in advance via Eventbrite: https://www.eventbrite.ca/e/belonging-ep-release-party-tickets-15123761578

$10 at the door.
19+

Cover includes a physical copy of the BeLonging EP.

For all media enquiries, please contact Daniel Farb at mcfubb@gmail.com or call 647-201-9161.

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Thursday, February 13, 2014

Verse over "Ni**as in Paris" Instrumental

Here's a little 16 I recorded as part of the Late Shift Cypher at Euphonic Sound Studio. First time professionally recording something in over a year...




Monday, September 17, 2012

Pen and Pad


“…if we pay close enough attention to the signs, then they do appear/
and guide us towards the rivers of life – it’s all fluid there/
if there’s a destiny to fulfill, we must do it there/
put my pen to pad, receive courage and march through the fear…”

More than just a book of rhymes, Toronto hip hop artist MC FÜBB views his notebook as a place to capture his authentic self – a vessel for his soul’s expression. In “Pen and Pad,” a spoken word/acapella rap piece + video, FÜBB explores the role that writing poetry and lyrics plays as he works to contextualize his life, making sense of past hardships, acknowledging his present circumstances, and working towards his vision for the future. More than just a reflection on his own life, “Pen and Pad” is a piece that encourages listeners to think about their own purpose in the world, as MC FÜBB says:

“It’s about more than just me and what I’m dealing with – it’s about where we’re heading collectively as human beings. I don’t think I’m unique in asking the questions I’m asking about purpose or how to be at home in the world; all of us deal with these existential yearnings at some level. My role as an emcee, and even more primarily as a poet, is to express these feelings in ways that perhaps most people don’t yet have access to. To write unwritten truths and speak unspoken knowledge – that’s my job as a poet and an emcee.”

The video for "Pen and Pad" is the second spoken word/acapella rap video that MC FÜBB has released in anticipation of his upcoming EP, the poet, which will drop in late 2012.

Written and performed by: MC FÜBB

Cinematography by: Evan Ciniello for StreetCar Creative


Wednesday, June 6, 2012

Why I Stand for Community

I had an interesting conversation last night with my homie DJ Romeo; we were talking about the idea of community, specifically the hip hop community in Toronto, which inspired me to write about some things that have been on my mind for a long time now.

It's no secret that every human being is self-centered to a certain degree; we view the world through our own unique lenses and perspectives based on a variety of factors (not the least of which are our past experiences). In our capitalist society, cash is king, and everybody is out to get theirs. The world of business has only one bottom line for the majority, and unfortunately many other good motives that people possess often fall to the wayside in the face of profit-motive. The same is all to often true in the music industry, and the hip hop community of which I am a part is no exception.

It's also not a secret (or at least I hope it isn't) that most artists do not make money off of the work they do. The vast majority of serious artists invest time, energy, and money into their works and receive little or no compensation as a result. Rappers in Toronto (and I would assume elsewhere) spend a lot of time making music, putting out records, and pushing their product and brand to anyone who might be interested, but often their goals of reaching broad fan-bases and eventually monetizing their music are not fulfilled. This is not the case with every artist - there are some who are actually making a living off of the work they do (and there's even a percentage of those who make really good music).

While money is still the universal currency within any industry, and those with more money definitely have an easier time at marketing their music, there is another, (I dare say) more valuable currency than money for those who can't simply throw dollars in the direction of materializing their dreams: respect. You can't buy respect. In the words of Brooklyn emcee O.C.: 
"Of course we gotta pay rent, so money connects, but uhh/ 
I'd rather be broke and have a whole lot of respect." 

The short-term focus and insatiable desire to be in the spotlight right now of so many artists I come across can be, I believe, a tremendous detriment to their careers overall. More importantly than that, the levels of stress that come with  the "need to achieve" right now can lead to desperation and certainly take a negative toll on ones health.

Don't get me wrong - I think it's important for artists to go out 100% for their own dreams in they want to have any chance of whatever their definition of "success" is. The problem I'm getting at here is that it's not the goal of being a successful artist that is the problem - it's how people go about doing it. While I am not generally in favour of labeling and pigeon-holing people, I'm going to describe a few "types" of people I've come across to elucidate the issues I'm attempting to describe:



Sharks: Will say and do absolutely anything necessary in order to get what they want. Any standards of morality and codes of human conduct fall to the wayside for selfish, self-centered motivations. Will shit on anyone and everyone if it means they get what they want.


Snakes: Keep low-key and behind the scenes while they attempt to manipulate people and situations in order to get what they want. May say and do things for people in order to try to get things from them in return, and then fuck them over a moment later when those same people no longer serve a purpose to them.





Chameleons: Change their colours to appease to whatever crowd they are in and depending on who they are talking to in order to win the favour of others and get what they want. May smile in your face one minute and then talk shit about you behind your back to another person in attempts to win favour with different groups of people.


Believe me, if I had the time or inclination, I could make up more characters to fit more stereotypical ways of being I see around me in my community. Many of the types of people I am describing would probably fit in the spectrum of antisocial personality disorders, although many others do not go to such extremes. As with everything, there are degrees to which people display such stereotypical traits, and there are often far more subtle behaviours at work. The point of my descriptions is that there is one bottom line for all of these types: they do what they do because their top priority in life is getting what they want. 

Selfishness and self-centeredness/egocentricity is the predominant spiritual disease of the human race, and it permeates all facets of our society. It is probably necessary in our world to have a degree of self-centeredness, certainly insofar as we need to take care of ourselves and survive. And when it comes to achieving our goals, we do need to do the work necessary for ourselves in order to get what we ultimately want. My main objection is this: most people think predominantly only of themselves and, if they are brutally honest with themselves, don't care much about anyone who doesn't have any personal relevance to their own life. In the Toronto hip hop community, I see this mentality playing out to an extreme, where everyone is out for themselves and "fuck you unless you can help me further my own goals RIGHT NOW." The end result: go listen to k-os's "Crabbuckit":


There are those who fall on the opposite side of the spectrum: altruists who think that helping others, selflessness, and giving of oneself are the ultimate goals in life. To anyone who can live this way and be truly happy and fulfilled doing it, my hat goes off to you. It takes a very special kind of person to constantly give of themselves without any thought of return and without having some kind of hidden agenda. There are some who, in a perverse way, flip the idea of giving to others in order to ignore issues in their own lives or avoid being confronted with what it takes to achieve their own goals and dreams. These self-proclaimed altruists do not really care much for those they seek to help; they give of themselves in a limited capacity in order to feel OK with who they are in the world. I think it's important to strike a balance between giving of oneself for the sake of others and taking care of oneself. Peep the words from the Jewish sage and scholar Hillel:


I believe that it doesn't have to be either/or when it comes to getting what we want for ourselves and our lives and caring about the people we come across on our way to achieving our dreams. I believe it's possible to get what we want AND help others get what they want. We can make a positive difference in the lives of others while we further our own ambitions. I know this to be true - I'm doing it in my life today. I'm living it.

This is why I stand for my hip hop community and for the idea of community in general. I am not purely an altruist - I am well aware of the fact that by helping others today, they may in turn be more likely to help me down the road. However, this is not the primary reason I do what I do and stand for what I stand for. I give of myself to others and express myself to the world because it is a source of fulfillment for me in my life. I do it because of the nature of my own spiritual condition as a human being; I've learned that if I become too consumed with self, then I will be miserable. I do genuinely want to have a positive impact on the lives of others and make a lasting difference in the world. Being of service to those around me is not inconsistent with my dreams of being a successful hip hop artist, poet, writer, actor, etc. - it is part of and inseparable from my dream and my vision. My definition of success in this life includes uplifting those around me, and in doing so uplifting myself.

This is the person I have given my word to being in this world and am actively growing and creating myself to be. Who I am is the possibility of love, inspiration, and transformation. I stand for this definition of hip hop: peace, love, unity, respect, integrity, creativity, and fun. This is why the acronym in my name - F.U.B.B. - stands for Foundations of Understanding Based on Benevolence.

I look forward to meeting and working with those of you in the world who share similar dreams and visions.

Much love.
-MC FÜBB




Wednesday, May 23, 2012

Noyz - Keep Movin' On feat. MC FÜBB

My homie Noyz (who, in case you missed it, produced my my entire last album, ITFONA) has his new album, Degrees of Freedom (which is available in its entirety for FREE DOWNLOAD). Here is the track I collaborated with him on (track five on the album), "Keep Moving On":



Tuesday, February 7, 2012

J Shiltz x MC FÜBB x Wordsworth - TAKE NOTICE


Peep this new single I did with Toronto artist J Shiltz and Brooklyn's own Wordsworth. Produced by Fresh Kils.
PUT THIS SHIT ON BLAST!




TAKE NOTICE – THIS ISN’T YOUR TYPICAL RAP SONG
The tides are beginning to turn in the quality of hip hop music

(Toronto, ON) - Take Notice. Up and coming Toronto hip hop emcees J Shiltz  and MC FÜBB (The Cypher, Hip Hop Headz/H3) and NYC veteranWordsworth (eMC) have come together over a banging instrumental by Juno-nominated producer Fresh Kils and collaborator Bix. With cuts courtesy of Halifax DJ Uncle Fester (The Extremities), listeners can expect a metaphorical massacre of brilliant lyrics, an awe-inspiring display of flows, and distinct deliveries from these three masterful microphone controllers.
It’s become an almost cliché complaint of hip hop music lovers that the rap scene is saturated with a plethora of artists, making it hard to find real talent amidst the mire of unexceptional music that is released. With Take Notice, J Shiltz, MC FÜBB, and Wordsworth are making it clear that they have the skills necessary to stand out and excel in the rap industry (and demanding that those who aren’t up to par quit rapping). Hip hop heads everywhere need to Take Notice - this year they will get the music they deserve.

Artists: J Shiltz, MC FÜBB, and Wordsworth (@JShiltz @MCFUBB @WordsworthEMC)
Song: Take Notice
Produced by: Fresh Kils and Bix (@freshkils @BixBeats)
Cuts by: Uncle Fester (@TheExtremities)
Mixed and mastered by: Fresh Kils
Promo image by: Kid Slim

About the Artists
                J Shiltz
J Shiltz is a Mississauga City/Toronto MC who has been gaining notoriety for years on the underground circuit. A long time in the making, his first solo offering, What I Stand For, is certainly worth the wait. The album boasts production from Kev Brown, Rich Kidd, Lancecape, Smash Brovaz, and Philly's own Twizzmatic. The album also features guest appearances from Illa J, Frank Nitt, Monolith, SonReal, and more. What I Stand For is a manifestation and testament to the past, present, and future of Canadian hip-hop. Word about the album is getting out, with two music videos featured on MuchVibe and a feature on the Stylus Awards “Who’s Got Next” CD. The album is available for free download at http://jshiltz.bandcamp.com
                 MC FÜBB
Rapping since the age of 15, MC FÜBB (pronounced "emcee foob") began taking his career as a hip hop MC seriously after graduating from the University of Toronto in the spring of 2009. In Sept. 2009 he dropped his debut EP Foundations, and followed up with his mixtape Blue Collar Worker in May 2010. He founded a hip hop community called Hip Hop Headz (H3) with which he started the event THE CYPHER, where MCs/rappers come out to showcase their talents and skills. In collaboration with his fellow H3 members, THE CYPHER has grown to become a staple hip hop event in Toronto, one which FÜBB hosts and freestyles at monthly. His first full length LP In the Face of No Agreement, a collaboration with Brampton producer Noyz, was released in April 2011 under his self-owned label Revolutionary Times Records (RTR). In December of 2011, FÜBB created H3 Radio (in collaboration with internet radio company Mediazoic), a station which plays only the highest quality hip hop with an emphasis on Toronto hip hop. Whether laying down his poetic, intelligent, and intricate verses in the booth or just freestyling in a cypher, MC FÜBB brings a level of intensity and skill to be reckoned with in the world of hip hop. He is currently busy releasing new singles and music videos, while working on his next project, the poet. For more info, check out:www.mcfubb.com
     Wordsworth
As his name suggests, Brooklyn-bred artist Wordsworth is the epitome of a true hip hop wordsmith. In addition to appearing on a multitude of other artists' albums, such as Black Star, A Tribe Called Quest: The Love Movement, and Lyricist Lounge Vols. 1 and 2, he co-created, starred in, co-wrote and produced MTV's ground-breaking sketch comedy series The Lyricist Lounge Show.  Since then he has released his acclaimed solo album titled Mirror Music and featured work in video games such as Saints Row to movie soundtracks such as The SpongeBob SquarePants Movie. Also, some of his recent works include The Dino 5, a children's hip hop album produced by legendary producer Prince Paul. In the midst of that, he released an album called The Show with his supergroup eMC, which consist of members Stricklin, Punchline and Masta Ace. He also appears in the Kevin Fitzgerald film Freestyle: The Art of Rhyme. His sophomore album is being released later this year.


For further information, contact Daniel Farb at 647-201-9161 or email mcfubb@gmail.com

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Friday, February 3, 2012

60 Bars (You Ain't Hip Hop) - Video + Q&A




Written and performed by MC FÜBB.
Produced by Noyz.
Video shot and edited by Neil Austen.
Additional footage by Slick Nick.

60 Bars (You Ain't Hip Hop) is track #3 off of MC FÜBB's album, "In the Face of No Agreement" (aka ITFONA), (produced exclusively by Noyz): http://mcfubb.bandcamp.com/album/in-the-face-of-no-agreement

A little Q&A with Toronto hip hop MC/rapper MC FÜBB about his latest video, “60 Bars (You Ain’t Hip Hop)":

Q: Your music is often so positive and uplifting…why are you so angry on this track?

A: I guess that sometimes I get really pissed off with what I see and hear in the world of hip hop, specifically rap music. A lot of rappers say that they’re real and they’re dope and represent hip hop, but the second they get off stage or off the mic, it’s clear that their words and actions don’t match up. I know that I could easily get really cynical about it, or even start beefing with people…so instead I made a track about it to get it off my chest.

Q: Is this song directed at anyone specifically?

A: It’s more an expression of a generalized perspective I have on the rap scene. It’s safe to say this song is directed at a sizeable portion of rappers out there.

Q: The instrumental sounds pretty dark and intense. Did it influence your writing on “60 Bars”?

A: When I got this beat from Noyz, it felt so raw to me. I knew I was going to have to rip it. I just started writing, and I could feel a lot of my frustration coming out. I didn’t want to just come across as being Mr. Angry Rapper and say “fuck all ya’ll,” so I took my time with it and did my best to convey my feelings and observations in a thoughtful and relatable way, without compromising the rawness of the track.

Q: Why are you burning CDs and smashing laptops at the end of the video?

A: Because it’s fun! Seriously though…I get handed CDs all the time and constantly have heads asking me to check out their video or their new track. Sometimes I come across some really dope stuff. I’d say at least 80% of the time though, it’s pretty awful music. So I burned a bunch of CDs and smashed a laptop that was playing a wack song to symbolize that

Q: What is that song playing at the end of the video, right before you smash the laptop? Who is the artist?

A: This interview is OVER.




Sunday, January 1, 2012

Substance

The first thing I'm recording in 2012 is a verse that I'm dropping on a collaborative project that two fellow Toronto hip hop artists are working on - Fenaxiz and royceBIRTH. These are the lyrics:


It really shouldn’t be surprising
with everybody scared to look inside they focused on what they buying
accepting implicit values instead of searching and defining
when you perpetuate the status quo, what are you defying?
let me break it down
hip hop’s something real, you can embrace it
it’s gotta have some substance to it so that you can taste it
content’s consumerism so I’m taking issue
cuz when you’re laying six feet deep, you can’t take it with you                      
every time I spit I feel I’m firing off a missile
homing on your heart and I’m praying that it hits you
so you can get awakened to something that is bigger
than this brainwashed life, got my finger on the trigger                                     
targeting all types, all peoples of all colours
my message is this: I want ya’ll to stop killing each other
can’t keep it real with yourself, how you gonna keep it real with your brother
feeling lost so I turned to my mother                                                   
she said son, let ‘em be, accept ‘em for what they are
save your power for the battles ahead – you’re going far
try to let go of the past, though it’s on me like a scar
just ‘cause you got some shine don’t make you a star
now I ain’t tryna be the type to rain on your parade
but just cuz you getting plays that don’t mean you’ve got it made
from where I’m sitting, your whole stees need adjustments
what’s the point of music if it ain’t got substance?


Monday, December 19, 2011

New Music Video: Quality Control


I collaborated with fellow emcees Crossword and L the 12th Letter on this delightful joint called "Quality Control." The video, download links for the track and more info are below. Enjoy!

Crossword feat. L the 12th Letter and MC FÜBB - Quality Control
WATCH: http://www.youtube.com/watch?v=1RoybuHd1hk
DOWNLOAD: 
http://hulkshare.com/vk67avadufi4


@CrosswordMC - @Lthe12thLetter - @MCFUBB
Director: Jason Matos - @jasonmatos
Video Op: Luc Capasso - @CapassoLuc
Producer: CJ Beatz NYC - @CJBeatzNYC
Recorded, mixed & mastered by DJ Mercilless

Quality Control is in full effect
Wack emcees watch out - Crossword, L the 12th Letter and MC FÜBB are on patrol.


TORONTO - In a world full of fakers and wannabes, wack rappers run amok. Luckily, Toronto emcees Crossword, L the 12th Letter and MC FÜBB are on the case, applying Quality Control to offenders of the culture and perpetrators of wackness. In the video for "Quality Control," directed by Jason Matos, the trio roam the T-dot streets in search of the real. They encounter a number of spitters that simply don't make the cut, and combat them with insightful lyrics, provocative flows and passionate deliveries. Wack emcees will be graded, written up, stamped down and aired out, not to mention have their girls taken from them. The moral of the story? Don't be a lame. Crossword, L the 12th Letter and MC FÜBB will call you out on it all day.

Wack Stamp not included.


Wednesday, November 23, 2011

Press Release: Toronto 2 Chicago (#TO2CHI)





Two days, two nights, two banging tracks. This past summer, Crossword and MC FÜBB (The Cypher, H3/Hip Hop Headz) took a road trip from Toronto to Chicago. While the main focus of the trip was to bring Toronto-based event The Cypher down to the windy city, the two emcees also linked up with studio engineer John Randle at JDR Sounds. The first recording session went so well
that FÜBB and Cross came back the next day to lay out another track. The end result: the Toronto artists banged out two joints with Chicago artists they'd never met prior.

The products of their collaborations are unleashed in Toronto 2 Chicago (aka #TO2CHI), a hard-hitting double single release that bridges the distance between artists in the two great cities in the name of creating high quality hip hop music. The two track release features Chicago emcee Cada Bug and Toronto's DJ Nef-You on "Casey Anthony," a high-octane track with a murderous beat produced by TO's Justunlimited. Producer/emcee Shake LaBomba rapped on and provided beat for "Not Impressed,” on which all three artists spit diverse flows over a 6/8 timing instrumental (an atypical meter for hip hop music).

In a musical era where monotony and lacklustre quality are commonplace, Toronto 2 Chicago raises the bar by infusing a fresh dose of creative production, original lyricism, distinctive flows and raw hip hop flavour for astute listeners worldwide.

                                    [TORONTO 2 CHICAGO DOWNLOAD LINK]

Artists: Crossword and MC FÜBB

Project: “Toronto 2 Chicago” (#TO2CHI) – Double Single Release



Recorded by John Randle at JDR Sounds (@JAYRAN20). 
Mixed and mastered by Phame at GameTyme Studio (@PhameOne).
Project cover art design by Olivia Allen (@liv_allen).

THE CYPHER TO2CHI Road-Trip Video: http://www.youtube.com/watch?v=GuG9Yvi8PEg

Artist Information:

Crossword: Emcee, band member, journalist, promoter and connector are all titles by which Crossword is known. A lyricist serious with his craft since the age of 13, the Iranian-Canadian entered the scene determined to establish his presence. He began by planning concerts at landmark Toronto venues such as Lula Lounge, The Drake Hotel, and the Silver Dollar Room. Having performed alongside Chali 2na and recorded on production by Rich Kidd (Drake, Kardinal Offishall, Andreena Mill), P.So The Earth Tone King (NYC, AOK, 2dopeboyz) and Juno nominee Fresh Kils (D-Sisive, The Extremities), Crossword's career is just taking off. This past September, his band, the Vibonics, released their debut self-titled EP, and he is now working on two solo projects - The Eclectic mixtape, and the Different Light EP.


MC FÜBB: Rapping since the age of 15, MC FÜBB (pronounced "emcee foob") began taking his career as a hip hop MC seriously after graduating from the University of Toronto in the spring of 2009. In Sept. 2009 he dropped his debut EP Foundations which is available for global digital distribution, and followed up with his mixtape Blue Collar Worker in May 2010. He founded a hip hop community called Hip Hop Headz (H3) with which he started the event THE CYPHER, where MCs/rappers come out to showcase their talents and skills. In combination with his fellow H3 members, THE CYPHER has grown to become a staple hip hop event in Toronto, one which FÜBB hosts and freestyles at monthly. His first full length LP In the Face of No Agreement, a collaboration with Brampton producer Noyz, was released in April 2011 under his self-owned label Revolutionary Times Records (RTR). Whether laying down his poetic, intelligent, and intricate verses in the booth or just freestyling in a cypher, MC FÜBB brings a level of intensity and skill to be reckoned with in the world of hip hop. 










http://www.mcfubb.com                                                                      
http://www.thecypher.ca                                                                                 
http://www.theh3.com                                                                                                       

Cada Bug: Cycada Alexander, known by the stage name “Cada Bug” is a hip-hop artist born in Chicago, IL and raised in the near west suburb of Bellwood. Born June 10, 1990, Cada Bug began rapping at the age of 15 with two other teenagers who formed the group R.N.C. To date he has recorded over 200 tracks with plenty of hits and 1 mixtape! Cada Bug attended Clark Atlanta University for three years where his networking skills were perfected and he got a chance to work with artists from all over the country, underground and mainstream. Now he lives in Chicago & has a mixtape appropriately titled "A Bug's Life" with over 25,000 downloads that can be found here ---> http://omg.ly/i9HL


Shake LaBomba:  Kelvin "Big Shake LaBomba" Wallace from Bellwood IL. Music producer, song writer and performer – “passion for the art” is the best way to describe him. The Chicagoland area is big and through that big city Big Shake has covered much ground producing, performing, and killing tracks. In the middle of all that he put out his first underground LP entitled, "BIG MAN ON CAMPUS," which is a 17 song hip hop musical. “The best has yet to come,” says the big guy as he continues to work with other talented artists as well as develop his own work. “More work, more progress is the key.”
















http://soundcloud.com/big-shake-labomba                                                        

For all media and booking inquiries, please contact: mcfubb@gmail.com


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Wednesday, November 16, 2011

Album Review: Ian Kamau - One Day Soon


“We believe in a gaze that is shorter than our goals/ as empty as our pockets and as stubborn as our souls/ holding stones, looking for a place for our hands to hide/ standing in a place where many took a stand and died/ feet inside the earth, eyes towards the skies/ the land that we live on is the same they occupied/ unsure if our story is a blessing in disguise/ we pray to see the light but we will not open our eyes…”
                                   
-Ian Kamau, “Maybe” (track #9 - One Day Soon)

For anyone familiar with Toronto’s hip hop, spoken word, poetry, or music community in general, Ian Kamau is known by many as a staple artist and pillar of the communities that he represents. Having released several projects in the past (2 EPs, 3 Mixtapes, 5 Podcasts), Kamau’s latest release and first official full length album, One Day Soon, is a strong testament to his creativity, depth of content, and growth as an artist to those who have been following him, and a great introduction for first-time listeners. It would be quite difficult to fit Ian Kamau or One Day Soon into a specific genre; predominant spoken word and hip hop vibes echo throughout the album, however it might be better to simply characterize this LP as soul music. For those seeking an immersive listening experience, something not only to nod your head to but to absorb and reflect on, One Day Soon possesses a wealth of Kamau’s accumulated perspectives and personal wisdom.
One Day Soon is a heavy and lyrically-packed album at times, requiring listeners to attune their ears to rapid-fire flows and emotionally charged words and phrases (e.g. track # 12, “Black Bodies,” in which Kamau expresses his frustration at the violence and death that plague the black community). Kamau juxtaposes the faster-paced hip hop songs on the album with more mellow tracks on which he spends most of the time singing (e.g. track #8, “Sleeping Giant”), nonetheless still expressing powerful and inspired ideas. In fact, Kamau does a great deal of singing on this album, displaying his ability to embody different spaces as an artist both vocally and in terms of his role on each track. One Day Soon is a very ambient LP, due not only to his atmospheric production (yes, Kamau also self-produced the entire album), but largely due to the way Kamau’s smooth background vocals compliment his spoken words/raps, which at times can come across as a bit monotonous sounding on their own.
This LP is an album of bold statements and complex ideas. The first line on the album, “I am a new kind of human being” (track #2, “Heading Home”) is a great summary of the kind of thinker that this artist is. Kamau is a heavily reflective and philosophical thinker, as evident by the lyrical content of his work. There are times on the album when it seems that Kamau is a full-fledged idealist and dreamer: “we’ll speak our mind, seek and we’ll find/ the ties that will bind us, the trees to the vine/ our roots only help us in being divine/ and forcing the change we’ll be seeing in time/ and believing in signs that we will overcome” (track #3, “The Village). Even the title of the album (One Day Soon) expresses a yearning and hope for a better world and life. It’s clear, however, that Kamau is also a realist and is keenly aware (even at times painfully so) of the harsh realities of the world around him: “black stakes in the heart/ bullets, like bats, tend to fly after dark/ we make sure the children are home from the park/ a shame - every day, another name to discuss/ flood the streets with their guns and they blame it on us” (track #12, “Black Bodies”). Kamau’s messages throughout the album are thematically focused on confronting difficult issues in society and uplifting the communities around him.


Ian takes responsibility for being the voice of a disenfranchised black community, the voice of an alienated and uncertain generation facing tumultuous circumstances. He expresses with sharp words and astute insight the damaging effects that the history of slavery and cultural displacement have had on black people: “torn from our home/ born in a new world, we’re more than alone/ and the more that we change, more we stay the same/ sat and prayed at the place that the slave-ships came” (track #3, “The Village”). One Day Soon is not simply a recounting of past horrors and there is definitely not a tone of victimhood in Kamau’s lyrics; quite contrarily, the artist seems to look with fondness and admiration at his community, for all of its accomplishments despite their harsh conditions. Track #8, “Sleeping Giant,” while targeted towards the black community, is an inspirational tribute to oppressed communities everywhere: “louder than your empty promise, louder than your arms/ louder than your foolish comments, louder than your bombs/ bigger than your false division, keeping us apart/ louder than your false religion that warps the truth inside our hearts.” It is perhaps that Kamau has uncovered his own greatness through his art, despite facing the same obstacles as the people around him, that he is able to see the greatness in other human beings, despite the difficult conditions that they face and even internalize within themselves.
While he seems to be focused specifically on problems affecting Toronto’s black community and the history of people of African descent in general, Kamau’s reflections are universally applicable because the struggles he expresses are, fundamentally, human struggles. On track #13, “Traffic,” Kamau talks about the human tendency to go after short-sited goals, fulfill base desires, and run on autopilot whilst neglecting spiritual needs and broader societal issues. While the historical circumstances of his community are specific, the recounting of past relationships and stories from his own life make clear that people from all walks of life deal with similar human conditions. A pervasive theme in Kamau’s writing is a coming to terms with clichés and idealized values that are in contradiction with life experiences. On track #5, “Now That I’m Alone,” Ian confronts the heartaches of a past romantic relationship that still occupies space in his psyche. Expressing disillusionment with common notions of love, relationships, and romance, he repeatedly sings “I guess love aint enough” on the chorus, as he recounts the circumstances that led to the severing of ties with his former romantic partner in his verses. On “Maybe” (track #9), Kamau courageously displays his own vulnerability, fears, and pain, which are evident both in his lyrics, “so often I sit in places I’d rather not be/ my eyes embrace realities I’d rather not see/ my angels and my demons, they are constantly warring/ and the things I do at night often catch me in the morning,” and in the tone of his voice on the track, which seems quiet and meek in contrast to his resonant voice on other tracks. It’s clear after listening to the song a few times, however, that “Maybe” is perhaps one of the most emotionally touching and lyrically powerful songs on the album, largely due to the artist’s honesty and open sharing of his own self-awareness.
While being a singer, emcee, philosopher, spoken word artist, community activist and more, it’s clear that Ian Kamau is a poet at heart, as evidenced by the vividness of his writing and skilled use of language throughout his work. One Day Soon is not only a great work of art, but is incredibly relevant to issues facing modern society and the world as a whole. What makes Kamau’s work so credible and touching is that he is coming from a place of both acknowledging and accepting the inequities he sees around him without condoning them, while at the same time standing for a greater future for himself, the people he knows, and the world around him. For anyone who believes in building towards a brighter future for the human race in the face of seemingly insurmountable odds, for anyone who is a lover of poetry and good music, and for anyone who loves art in and of itself, One Day Soon is a must own.
“We’ll never have a renaissance, ‘cause we stand and point our finger, but we’re all confused/ you’ll never have a renaissance, if you say you’re for the people but it’s all for you/ we’ll never have a renaissance, ‘cause we say we’ll get together, but it isn’t true/ we’ll never have a renaissance, if we speak about a movement, but refuse to move.”
                                      
                                 -Ian Kamau, “Renaissance” (track #16 – One Day Soon)