Showing posts with label hip hop. Show all posts
Showing posts with label hip hop. Show all posts

Wednesday, January 14, 2015

BeLonging

FOR IMMEDIATE RELEASE
January 13, 2015


 “We all need to belong, is that the wrong assumption?
Will we always be longing for something?”
–MC FÜBB

Toronto Hip Hop Artist MC FÜBB Releases New Project after Two-Year Hiatus

(Toronto, ON) – After a two-year hiatus since his last official release (the critically acclaimed EP, the poet), Toronto hip hop artist MC FÜBB has teamed up with producer/emcee Noyz to release their new collaborative EP: BeLonging. Thematically centered around the fundamental human need to belong, MC FÜBB weaves together notions of authenticity, creativity, peace, and finding one’s place in the world as he raps over a rich instrumental tapestry created by beat-smith Noyz. Featuring soulful vocals by Mike Devine on “Belong” and the buzz single “Grace,” the end result is a cohesive, five-track musical project that aims to strike emotional chords with listeners through thought-provoking lyrics, inspiring melodies, and songs with high replay value.

Here’s what Noyz has to say about the theme of new EP:

“The title ‘BeLonging’ and the artwork is a reflection of struggles that we all face. We don’t want to feel left out; we want a place that feels like home, where we know we belong. However, within this longing, we often miss out on the truth that we already do belong. We are all created from the same materials and the same source, and as beings in this universe, the feeling of belonging is something that should be natural and innate within all of us. Finding and strengthening that connection is a lifelong journey.”

BeLonging isn’t the first time that FÜBB and Noyz have worked together: in 2011, the two artists released In the Face of No Agreement (aka ITFONA), a full length album exploring the theme of using hip hop as an empowering vehicle for overcoming one’s internal obstacles. Noyz also produced “Poetically Correct” on MC FÜBB’s EP the poet, and FÜBB featured on the song “Keep Moving On” on Noyz’s album Degrees of Freedom.

A release party for the new EP will be held on Thursday, February 5 at Studio Bar (824 Dundas Street West, Toronto), featuring performances by MC FÜBB, Noyz, reggae/funk band The Responsables, music by DJ Xplisit, and special guest appearances.

Free streaming/download links to BeLonging:

(includes instrumentals, acapellas, and clean versions of tracks – DJs: Feel free to remix away!)



For all media enquiries, please contact Daniel Farb at mcfubb@gmail.com or call 647-201-9161.

###

Release Party + Show:




Where: Studio Bar – 824 Dundas Street West, Toronto
When: February 5, 2015 – Doors at 8pm; show starts at 9pm

Come and celebrate the release of MC FÜBB and Noyz's new EP, "BeLonging" (and a belated release celebration of MC FÜBB's previous EP, "the poet")!

Featuring performances by:

MC FÜBB
(Hip hop emcee)

Noyz
(Hip hop emcee and producer)

The Responsables
(Live reggae/funk band)

Music supplied by DJ Xplisit
(Toronto's craziest beatboxing DJ!)

Tickets are $5 (+$1.29 Eventbrite fee) in advance via Eventbrite: https://www.eventbrite.ca/e/belonging-ep-release-party-tickets-15123761578

$10 at the door.
19+

Cover includes a physical copy of the BeLonging EP.

For all media enquiries, please contact Daniel Farb at mcfubb@gmail.com or call 647-201-9161.

###


Saturday, March 2, 2013

ALL MUSIC NOW FREE


I want to give a sincere THANK YOU to everyone who's been supporting me, rocking with me, motivating me, encouraging me, inspiring me, and listening to my words and music over the past several years. As a token of gratitude, ALL of my music is now available for FREE download, including my latest EP, "the poet":

http://mcfubb.bandcamp.com/


Wednesday, June 6, 2012

Why I Stand for Community

I had an interesting conversation last night with my homie DJ Romeo; we were talking about the idea of community, specifically the hip hop community in Toronto, which inspired me to write about some things that have been on my mind for a long time now.

It's no secret that every human being is self-centered to a certain degree; we view the world through our own unique lenses and perspectives based on a variety of factors (not the least of which are our past experiences). In our capitalist society, cash is king, and everybody is out to get theirs. The world of business has only one bottom line for the majority, and unfortunately many other good motives that people possess often fall to the wayside in the face of profit-motive. The same is all to often true in the music industry, and the hip hop community of which I am a part is no exception.

It's also not a secret (or at least I hope it isn't) that most artists do not make money off of the work they do. The vast majority of serious artists invest time, energy, and money into their works and receive little or no compensation as a result. Rappers in Toronto (and I would assume elsewhere) spend a lot of time making music, putting out records, and pushing their product and brand to anyone who might be interested, but often their goals of reaching broad fan-bases and eventually monetizing their music are not fulfilled. This is not the case with every artist - there are some who are actually making a living off of the work they do (and there's even a percentage of those who make really good music).

While money is still the universal currency within any industry, and those with more money definitely have an easier time at marketing their music, there is another, (I dare say) more valuable currency than money for those who can't simply throw dollars in the direction of materializing their dreams: respect. You can't buy respect. In the words of Brooklyn emcee O.C.: 
"Of course we gotta pay rent, so money connects, but uhh/ 
I'd rather be broke and have a whole lot of respect." 

The short-term focus and insatiable desire to be in the spotlight right now of so many artists I come across can be, I believe, a tremendous detriment to their careers overall. More importantly than that, the levels of stress that come with  the "need to achieve" right now can lead to desperation and certainly take a negative toll on ones health.

Don't get me wrong - I think it's important for artists to go out 100% for their own dreams in they want to have any chance of whatever their definition of "success" is. The problem I'm getting at here is that it's not the goal of being a successful artist that is the problem - it's how people go about doing it. While I am not generally in favour of labeling and pigeon-holing people, I'm going to describe a few "types" of people I've come across to elucidate the issues I'm attempting to describe:



Sharks: Will say and do absolutely anything necessary in order to get what they want. Any standards of morality and codes of human conduct fall to the wayside for selfish, self-centered motivations. Will shit on anyone and everyone if it means they get what they want.


Snakes: Keep low-key and behind the scenes while they attempt to manipulate people and situations in order to get what they want. May say and do things for people in order to try to get things from them in return, and then fuck them over a moment later when those same people no longer serve a purpose to them.





Chameleons: Change their colours to appease to whatever crowd they are in and depending on who they are talking to in order to win the favour of others and get what they want. May smile in your face one minute and then talk shit about you behind your back to another person in attempts to win favour with different groups of people.


Believe me, if I had the time or inclination, I could make up more characters to fit more stereotypical ways of being I see around me in my community. Many of the types of people I am describing would probably fit in the spectrum of antisocial personality disorders, although many others do not go to such extremes. As with everything, there are degrees to which people display such stereotypical traits, and there are often far more subtle behaviours at work. The point of my descriptions is that there is one bottom line for all of these types: they do what they do because their top priority in life is getting what they want. 

Selfishness and self-centeredness/egocentricity is the predominant spiritual disease of the human race, and it permeates all facets of our society. It is probably necessary in our world to have a degree of self-centeredness, certainly insofar as we need to take care of ourselves and survive. And when it comes to achieving our goals, we do need to do the work necessary for ourselves in order to get what we ultimately want. My main objection is this: most people think predominantly only of themselves and, if they are brutally honest with themselves, don't care much about anyone who doesn't have any personal relevance to their own life. In the Toronto hip hop community, I see this mentality playing out to an extreme, where everyone is out for themselves and "fuck you unless you can help me further my own goals RIGHT NOW." The end result: go listen to k-os's "Crabbuckit":


There are those who fall on the opposite side of the spectrum: altruists who think that helping others, selflessness, and giving of oneself are the ultimate goals in life. To anyone who can live this way and be truly happy and fulfilled doing it, my hat goes off to you. It takes a very special kind of person to constantly give of themselves without any thought of return and without having some kind of hidden agenda. There are some who, in a perverse way, flip the idea of giving to others in order to ignore issues in their own lives or avoid being confronted with what it takes to achieve their own goals and dreams. These self-proclaimed altruists do not really care much for those they seek to help; they give of themselves in a limited capacity in order to feel OK with who they are in the world. I think it's important to strike a balance between giving of oneself for the sake of others and taking care of oneself. Peep the words from the Jewish sage and scholar Hillel:


I believe that it doesn't have to be either/or when it comes to getting what we want for ourselves and our lives and caring about the people we come across on our way to achieving our dreams. I believe it's possible to get what we want AND help others get what they want. We can make a positive difference in the lives of others while we further our own ambitions. I know this to be true - I'm doing it in my life today. I'm living it.

This is why I stand for my hip hop community and for the idea of community in general. I am not purely an altruist - I am well aware of the fact that by helping others today, they may in turn be more likely to help me down the road. However, this is not the primary reason I do what I do and stand for what I stand for. I give of myself to others and express myself to the world because it is a source of fulfillment for me in my life. I do it because of the nature of my own spiritual condition as a human being; I've learned that if I become too consumed with self, then I will be miserable. I do genuinely want to have a positive impact on the lives of others and make a lasting difference in the world. Being of service to those around me is not inconsistent with my dreams of being a successful hip hop artist, poet, writer, actor, etc. - it is part of and inseparable from my dream and my vision. My definition of success in this life includes uplifting those around me, and in doing so uplifting myself.

This is the person I have given my word to being in this world and am actively growing and creating myself to be. Who I am is the possibility of love, inspiration, and transformation. I stand for this definition of hip hop: peace, love, unity, respect, integrity, creativity, and fun. This is why the acronym in my name - F.U.B.B. - stands for Foundations of Understanding Based on Benevolence.

I look forward to meeting and working with those of you in the world who share similar dreams and visions.

Much love.
-MC FÜBB




Friday, February 3, 2012

60 Bars (You Ain't Hip Hop) - Video + Q&A




Written and performed by MC FÜBB.
Produced by Noyz.
Video shot and edited by Neil Austen.
Additional footage by Slick Nick.

60 Bars (You Ain't Hip Hop) is track #3 off of MC FÜBB's album, "In the Face of No Agreement" (aka ITFONA), (produced exclusively by Noyz): http://mcfubb.bandcamp.com/album/in-the-face-of-no-agreement

A little Q&A with Toronto hip hop MC/rapper MC FÜBB about his latest video, “60 Bars (You Ain’t Hip Hop)":

Q: Your music is often so positive and uplifting…why are you so angry on this track?

A: I guess that sometimes I get really pissed off with what I see and hear in the world of hip hop, specifically rap music. A lot of rappers say that they’re real and they’re dope and represent hip hop, but the second they get off stage or off the mic, it’s clear that their words and actions don’t match up. I know that I could easily get really cynical about it, or even start beefing with people…so instead I made a track about it to get it off my chest.

Q: Is this song directed at anyone specifically?

A: It’s more an expression of a generalized perspective I have on the rap scene. It’s safe to say this song is directed at a sizeable portion of rappers out there.

Q: The instrumental sounds pretty dark and intense. Did it influence your writing on “60 Bars”?

A: When I got this beat from Noyz, it felt so raw to me. I knew I was going to have to rip it. I just started writing, and I could feel a lot of my frustration coming out. I didn’t want to just come across as being Mr. Angry Rapper and say “fuck all ya’ll,” so I took my time with it and did my best to convey my feelings and observations in a thoughtful and relatable way, without compromising the rawness of the track.

Q: Why are you burning CDs and smashing laptops at the end of the video?

A: Because it’s fun! Seriously though…I get handed CDs all the time and constantly have heads asking me to check out their video or their new track. Sometimes I come across some really dope stuff. I’d say at least 80% of the time though, it’s pretty awful music. So I burned a bunch of CDs and smashed a laptop that was playing a wack song to symbolize that

Q: What is that song playing at the end of the video, right before you smash the laptop? Who is the artist?

A: This interview is OVER.




Tuesday, September 20, 2011

Album Review: Promise - Awakening


Get the album HERE.
            For those who are thus far unfamiliar with Promise, Awakening is a good time to get familiar. Originally from Toronto, Promise moved to the US in recent years and is currently being managed by Duck Down Music. Released in 2011, Promise’s most recent album, Awakening, is a musically rich and lyrically engaging listening experience.
            Right from the get-go, the first track on the album, The Wake, engulfs the listener into the context in which Promise writes and pursues his life and a career as a rapper. Promise is a devout Christian, and he isn’t shy about making this fact known in his lyrics. Throughout the album, P touches on his internal conversations with God and how his spiritual connection and religious upbringing influence his life and the message in his songs. While Christian themes and religious overtones may turn off some listeners, Promise is committed to stay true to himself and his convictions and makes no apologies for keeping it real to his core values. More astute listeners won’t be taken back by Promise’s lyrics – he manages to walk the fine line between delivering a conscious-minded message and being preachy very well. Most of the time, he’s able to infuse his spiritual beliefs into his music in an empowering and uplifting manner, encouraging his listeners to look at themselves, their lives, and encourage them to be better people in the world. For those who are averse to hearing about promises of a better afterlife/heaven, you may want to avoid track #4 (Hereafter).
            Being a rapper and at the same time being religiously oriented makes for an interesting dichotomy that can be heard in Promise’s lyrics throughout the album. It’s often the case that rappers/MCs are expected to be egotistical and self-aggrandizing in their content, which Promise does delicately at times, while at the same time striving to be humble and giving the credit for his talents, skills, and blessings up to God (check track #2, Clark Kent). And make no mistake – Promise is not lacking in talent and rapping ability on the mic. His vocal presence is strong and melodic, while his vocal tone and cadences come across as sincere and heart-felt. When it comes to flows, P definitely doesn’t follow the cookie-cutter approach that is all too prevalent in the world of rap music, and he isn’t afraid to change up his rhyme patterns quickly between bars. Having seen some of his live performances as well, I can safely say he’s an all-around great MC, and holds it down just as properly live as he does in the booth.
            Lovers of Tupac Shakur’s song Changes should enjoy track #3 (Something Better), which melodically and lyrically seems to be a bit of a tribute to the late artist (albeit with a more religious and less “thug life” message). There are an abundance of talented vocalists on Awakening, which makes for a very rich listening experience, and it would be hard to simply classify the album as a “hip hop” record. Awakening definitely fits into the “soul” category and, some may say, the “holy hip hop” category. I encourage listeners to give up their labels for this one, however, and simply sit back and take in the album (suffice it to say that it fits into the category of “good music”). For those looking for straight lyricism, punch-lines, and creative flows, check out track #7, Against the Odds. With a contagious hook by Jhene Aiko and an in-depth look into the mind of the artist, this is easily one of the best tracks on the album (close second/possibly a tie goes to track #5, Everyone Knows feat. Tony Williams). Check some of the lyrics from Gonna Make It:

“Labels that I wanted to sign, would want to me shine, they don’t want me to rhyme, they want me to lie and sign posters/ I was like, “you outta your mind?” so I had to decline, and now I’m just rapping to find closure/ I know, when the sun shines it’s over/ compromise my art? no sir/ if the sky don’t part, my hopes will help me to smile in the Dark Knight – Joker” –Promise

            Another personal favourite track on the album is #9, Somebody Else. Featuring Slakah the Beatchild, this song has an excellent crowd-sing-along type chorus with a positive “be yourself” message and smooth production with some nice organ/piano sounds. Followed up by another great track with heavy organ-laden instrumentation, Don’t is a powerful song about the dangers of making bad choices and the fallacy of victimhood (in this case by blaming God) in such scenarios. The track’s hook and bridge, saturated which distortion and synthetized sounds effects (reminiscent of Kanye West), can be a bit overly abrasive at times, but works quite well in the song overall. After this track, the album’s theme shifts focus into the empowerment of women (tracks #11, 12, 13), which is clearly a cause that Promise is passionate about. Men trying to run game on women everywhere will probably dislike track #10, Down, because Promise comes straight with the type of advice that cuts through all the bullshit that can often encapsulate dysfunctional relationships: “Just because he’s in you doesn’t mean he’s into you” and “When’s the last time your man said he loved you and in return wanted nothing from you? huh? huh? huh?” "Huh? huh? huh?" indeed! Kudos Promise.
            While there are some definite gems on Awakening, there are also some tracks on this album that aren’t nearly as strong as the others. There are times when Promise falls into the trap of spitting recycled clichés, which wouldn’t be so glaring if his lyricism didn’t shine so brilliantly at other times. The quality of the all the tracks in terms of production, mixing/mastering, and vocal performances is solid throughout the album. It’s just that a few of the tracks on their own seem to be a bit weaker in terms of their overall vibe and the messages behind them. When taken as a cohesive whole, however, the vast majority of the album flows quite well and the tracks fit together nicely.
            The final track on the album, Skin Deep, which has a beautiful guitar-based melody, does a good job of summing up Promise’s mission in life and the overall theme of the album: “But why me?/ I guess in a world that seems Godless it’s hard to be Godly/ so God please, give me words when I speak to help fix the worst that I see.” It’s clear that Promise is an artist who puts his heart and soul into his music, which is probably the main reason why he resounds so well with his listeners. In an industry where most rappers seem to be out just for the green, not to mention a world that seems to run on much less than values and principles, it’s refreshing and hopeful to know that there’s an artist like Promise out there, working, building, and creating art for the promise of a better tomorrow. 

All lovers of GOOD MUSIC are encouraged to check out Promise's entire discography.
And read up on the artists HERE.